Getting in the car for a 30 minute drive to John's place, I scrolled through the music on my iPod to find just the right driving tunes. My finger stopped at the cast album for An Unfinished Song, music I had not listened to in quite some time.
An Unfinished Song, with book, music and lyrics by James J. Mellon, was first produced at the Provincetown Playhouse. As Stephen Holden wrote in his February 19, 1991 review in the Times, the show "is an examination of grief that has the feel of a personal cry from the heart."
I'm not sure how many places this show was ever produced. I saw it in Boston in 1995 or so. (It did not, I don't think, ever make it to New York.) Mellon played Michael, one of the lead characters, with Kevin Bailey as his lover, Worth.
For me, the show was very moving. I'm not one to cry at a movie or a show, but this one brought me close. Mellon and Bailey had a real chemistry on stage. A single set dominated the theater, with seating on three sides. No curtain, no wings, just set. Mostly, when the actors were not on stage, they sat on the sides.
From where I was sitting, I could observe Bailey and Mellon when they were not required on stage. They'd sit on the side and hold hands. I assumed they were just staying in character, but it was more than that as I would come to find out reading an interview in Bay Windows. They were (are?) partners in real life, knowledge of which made the experience even richer for me.
The cast album is really wonderful. It features a then-unknown Beth Leavel, who would go on to win the Tony for the title role in The Drowsy Chaperon two seasons ago. Hearing her perform "The Frying Pan" about having a mid-life crisis in Macys, is just delightful.
There are other great songs on the album including "Hobby Horses/How Could I Let You Leave Me" and "Remember the Ocean." In addition to Leavel, Bailey's rich, luxurious voice is worth the cost of the CD. Unfortunately, it doesn't seem to be in print (I tried Amazon while researching this post).
I wish Mellon would get this show produced again. I can't find a whole lot about him, other that he's still writing musicals (including The Ghost and Mrs. Muir). Bailey turned up in a couple of mid-90s shows when I searched for him. He also participated in the 1999 and 2000 Carols for a Cure albums, released by Broadway Cares.
The songs in this show may be finished, the show's life itself remains unfinished in my view. If I had the money, I'd produce it.
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If any of my regular readers (there aren't many of you) want a copy of the CD, just shoot me an email.